Tom Brown’s School Days (sometimes written Tom Brown’s Schooldays, also published under the titles Tom Brown at Rugby, School Days at Rugby, and Tom Brown’s School Days at Rugby) is an 1857 novel by Thomas Hughes. The story is set in the 1830s at Rugby School, an English public school. Hughes attended Rugby School from 1834 to 1842.
The novel was originally published as being “by an Old Boy of Rugby”, and much of it is based on the author’s experiences. Tom Brown is largely based on the author’s brother George Hughes. George Arthur, another of the book’s main characters, is generally believed to be based on Arthur Penrhyn Stanley (Dean Stanley). The fictional Tom’s life also resembles the author’s, in that the culminating event of his school career was a cricket match. The novel also features Dr Thomas Arnold (1795–1842), who was the actual headmaster of Rugby School from 1828 to 1841.
Tom Brown’s School Days has been the source for several film and television adaptations. It also influenced the genre of British school novels, which began in the nineteenth century, and led to fictional depictions of schools such as Mr Chips‘s Brookfield, (Goodbye Mr. Chips, Robert Donat, Academy Award Winner, Best Actor, 1939, and Greer Garson) and St Trinian’s. A sequel, Tom Brown at Oxford, was published in 1861.
Tom Brown is energetic, stubborn, kind-hearted and athletic, rather than intellectual. He follows his feelings and the unwritten rules of the boys.
The early chapters of the novel deal with his childhood at his home in the Vale of White Horse. Much of the scene setting in the first chapter is deeply revealing of Victorian Britain’s attitudes towards society and class, and contains a comparison of so-called Saxon and Norman influences on the country. This part of the book, when young Tom wanders the valleys freely on his pony, serves as a contrast with the hellish experiences in his first years at school.
His first school year is at a local school. His second year starts at a private school, but due to an epidemic of fever in the area, all the school’s boys are sent home, and Tom is transferred mid-term to Rugby School.
On his arrival, the eleven-year-old Tom Brown is looked after by a more experienced classmate, Harry “Scud” East. Tom’s nemesis at Rugby is the bully Flashman. The intensity of the bullying increases, and, after refusing to hand over a sweepstake ticket for the favourite in a horse race, Tom is deliberately burned in front of a fire. Tom and East defeat Flashman with the help of Diggs, a kind, comical, older boy. In their triumph they become unruly.
In the second half of the book, Dr Thomas Arnold (1795–1842), the historical headmaster of the school at the time, gives Tom the care of George Arthur, a frail, pious, academically brilliant, gauche, and sensitive new boy. A fight that Tom gets into to protect Arthur, and Arthur’s nearly dying of fever, are described in detail. Tom and Arthur help each other and the friends develop into young gentlemen who say their nightly prayers, do not cheat on homework, and play in a cricket match. An epilogue shows Tom’s return to Rugby and its chapel when he hears of Arnold’s death.
Thomas Arnold (13 June 1795 – 12 June 1842) was an English educator and historian. He was an early supporter of the Broad Church Anglican movement. As headmaster of Rugby School from 1828 to 1841, he introduced several reforms that were widely copied by other noted public schools. His reforms redefined standards of masculinity and achievement.
Arnold’s appointment to the headship of Rugby School in 1828, after some years as a private tutor, turned the school’s fortunes around. His force of character and religious zeal enabled him to make it a model for other public schools and exercise a strong influence on the education system of England. Though he introduced history, mathematics and modern languages, he based his teaching on the classical languages. “I assume it as the foundation of all my view of the case, that boys at a public school never will learn to speak or pronounce French well, under any circumstances,” and so it would be enough if they could “learn it grammatically as a dead language.” Physical science was not taught because, in Arnold’s view, “it must either take the chief place in the school curriculum, or it must be left out altogether.” Arnold was also opposed to the materialistic tendency of physical science, a view deriving from his Christian idealism. He wrote that “rather than have physical science the principal thing in my son’s mind, I would gladly have him think that the sun went round the earth, and that the stars were so many spangles set in the bright blue firmament. Surely the one thing needful for a Christian and an Englishman to study is Christian and moral and political philosophy.”
Arnold developed the praepostor (prefect) system, in which sixth-form students were given powers over every part of the school (managed by himself) and kept order in the establishment. The 1857 novel by Thomas Hughes, Tom Brown’s School Days, portrays a generation of boys “who feared the Doctor with all our hearts, and very little besides in heaven or earth; who thought more of our sets in the School than of the Church of Christ, and put the traditions of Rugby and the public opinion of boys in our daily life above the laws of God.”
Arnold was no great enthusiast for sport, which was permitted only as an alternative to poaching or fighting with local boys and did not become part of Rugby’s curriculum until 1850. He described his educational aims as being the cure of soul’s first, moral development second, and intellectual development third. However, this did not prevent Baron de Coubertin from considering him the father of the organized sport he admired when he visited English public schools, including Rugby in 1886. When looking at Arnold’s tomb in the school chapel he recalled that he felt suddenly as if he were looking on “the very cornerstone of the British empire”. Coubertin is thought to have exaggerated the importance of sport to Thomas Arnold, whom he viewed as “one of the founders of athletic chivalry”. The character-forming influence of sport, with which Coubertin was so impressed, is more likely to have originated in the novel Tom Brown’s School Days than exclusively in the ideas of Arnold himself. “Thomas Arnold, the leader and classic model of English educators,” wrote Coubertin, “gave the precise formula for the role of athletics in education. The cause was quickly won. Playing fields sprang up all over England
Tom Brown’s Schooldays was a 1971 television serial adaptation of the 1857 Thomas Hughes novel Tom Brown’s Schooldays. Consisting of five one hour long episodes, the series was directed by Gareth Davies and used a screenplay by Anthony Steven.
Tom Brown’s Schooldays originally screened on the BBC1 Sunday afternoon slot, which often showed serializations of classics aimed at a family audience. It made some free adaptations to Hughes’s novel, creating the role of Flashman’s father, and added new sub-plots about Flashman and Arnold. It also included scenes of bullying and corporal punishment which may have been too graphic for family viewing. “Clean-up TV” campaigner Mary Whitehouse claimed that the program broke the BBC’s guidelines on the depiction of sadistic violence.
After its 1971 premiere on the BBC, the series was later shown on Masterpiece Theatre in the United States in January and February 1973 through a grant from the Mobil Oil Corporation.[1] In his review in The New York Times, critic Howard Thompson wrote, “Two previous film versions of Tom Brown’s Schooldays (one from England) pale beside this home‐screen project, which so far (two chapters) seems almost too good to be true, even from Masterpiece Theater.” The program won the 1973 Primetime Emmy Award for Outstanding Limited Series, and actor Anthony Murphy won the Primetime Emmy Award for Outstanding Lead Actor in a Limited or Anthology Series or Movie for his portrayal of Tom Brown.
Sir Harry Paget Flashman VC, KCB, KCIE is a fictional character created by Thomas Hughes (1822–1896) in the semi-autobiographical Tom Brown’s School Days (1857) and later developed by George MacDonald Fraser (1925–2008). Harry Flashman appears in a series of 12 of Fraser’s books, collectively known as The Flashman Papers, with covers illustrated by Arthur Barbosa and Gino D’Achille. Flashman was played by Malcolm McDowell in the Richard Lester 1975 film Royal Flash.
In Tom Brown’s School Days (1857), Flashman is portrayed as a notorious Rugby School bully who persecutes Tom Brown and is finally expelled for drunkenness, at which point he simply disappears. Fraser decided to write the story of Flashman’s later life, in which the school bully would be identified as an “illustrious Victorian soldier”, experiencing many of the 19th-century wars and adventures of the British Empire and rising to high rank in the British Army, to be acclaimed as a great warrior, while still remaining “a scoundrel, a liar, a cheat, a thief, a coward—and, oh yes, a toady.” In the papers – which are purported to have been written by Flashman and discovered only after his death – he describes his own dishonourable conduct with complete candour. Fraser’s Flashman is an antihero who often runs away from danger. Nevertheless, through a combination of luck and cunning, he usually ends each volume acclaimed as a hero.
Fraser gave Flashman a lifespan from 1822 to 1915 and a birth-date of 5 May. He also provided Flashman’s first and middle names, as Hughes’s novel had given Flashman only one, using the names to make an ironic allusion to Henry Paget, 1st Marquess of Anglesey. Paget was one of the heroes of Waterloo, who cuckolded the Duke of Wellington‘s brother Henry Wellesley and later—in one of the period’s more celebrated scandals—married Lady Anglesey, after Wellesley had divorced her for adultery.
In Flashman, Flashman says that his great-grandfather, Jack Flashman, made the family fortune in America, trading in rum, slaves and “piracy too, I shouldn’t wonder”. Despite their wealth, the Flashmans “were never the thing”; Flashman quotes the diarist Henry Greville’s comment that “the coarse streak showed through, generation after generation, like dung beneath a rosebush”. Harry Flashman’s equally fictional father, Henry Buckley Flashman, appears in Black Ajax (1997). Buckley, a bold young officer in the British cavalry, is said to have been wounded in action at Talavera in 1809, and then to have gained access to “society” by sponsoring bare-knuckle boxer Tom Molineaux (the first black man to contend for a championship). The character subsequently marries Flashman’s mother Lady Alicia Paget, a fictional relation of the real Marquess of Anglesey. Buckley, it is related, also served as a Member of Parliament (MP) but was “sent to the knacker’s yard at Reform“. Beside politics, the older Flashman character has interests including drinking, fox hunting (riding to hounds), and women.
Flashman is a large man, six feet two inches, about 180 pounds.. In Flashman and the Tiger, he mentions that one of his grandchildren has black hair and eyes, resembling him in his younger years. His dark colouring frequently enabled him to pass (in disguise) for a Pashtun. He claims only three natural talents: horsemanship, facility with foreign languages, and fornication. He becomes an expert cricket-bowler, but only through hard effort (he needed sporting credit at Rugby School, and feared to play rugby football). He can also display a winning personality when he wants to, and is very skilled at flattering those more important than himself without appearing servile.
As he admits in the Papers, Flashman is a coward, who will flee from danger if there is any way to do so, and has on some occasions collapsed in funk. He has one great advantage in concealing this weakness: when he is frightened, his face turns red, rather than white, so that observers think he is excited, enraged, or exuberant—as a hero ought to be.
After his expulsion from Rugby School for drunkenness, the young Flashman looks for an easy life. He has his wealthy father buy him an officer’s commission in the fashionable 11th Regiment of Light Dragoons. The 11th, commanded by Lord Cardigan, later involved in the Charge of the Light Brigade, has just returned from India and are not likely to be posted abroad soon. Flashman throws himself into the social life that the 11th offered and becomes a leading light of Canterbury society. In 1840 the regiment is converted to Hussars with an elegant blue and crimson uniform, which assists Flashman in attracting female attention for the remainder of his military career.
A duel with another officer over a French courtesan leads to his being temporarily stationed in Paisley, Scotland. There he meets and deflowers Elspeth Morrison, daughter of a wealthy textile manufacturer, whom he has to marry in a “shotgun wedding” under threat of a horsewhipping by her uncle. But marriage to the daughter of a mere businessman forces his transferral from the snobbish 11th Hussars. He is sent to India to make a career in the army of the East India Company. Unfortunately, his language talent and his habit of flattery bring him to the attention of the Governor-General. The Governor does him the (very much unwanted) favour of assigning him as aide to General Elphinstone in Afghanistan. Flashman survives the ensuing retreat from Kabul (the worst British military debacle of Victoria’s reign) by a mixture of sheer luck and unstinting cowardice. He becomes an unwitting hero: the defender of Piper’s Fort, where he is the only surviving white man, and is found by the relieving troops clutching the flag and surrounded by enemy dead. Of course, Flashman had arrived at the fort by accident, collapsed in terror rather than fighting, been forced to stand and show fight by his subordinate, and is ‘rumbled’ for a complete coward. He had been trying to surrender the colors, not defend them. Happily for him, all inconvenient witnesses had been killed.
This incident sets the tone for Flashman’s life. Over the following 60 years or so, he is involved in many of the major military conflicts of the 19th century—always in spite of his best efforts to evade his duty. He is often selected for especially dangerous jobs because of his heroic reputation. He meets many famous people, and survives some of the worst military disasters of the period (the First Anglo-Afghan War, the Charge of the Light Brigade, the Siege of Cawnpore, the Battle of the Little Bighorn, and the Battle of Isandlwana), always coming out with more heroic laurels. The date of his last adventures seems to have been around 1900. He dies in 1915.
Despite his admitted cowardice, Flashman is a dab hand at fighting when he has to. Though he dodges danger as much as he can, and runs away when no one is watching, after the Piper’s Fort incident, he usually controls his fear and often performs bravely. Almost every book contains one or more incidents where Flashman has to fight or perform some other daring action, and he holds up long enough to complete it. For instance, he is ordered to accompany the Light Brigade on its famous charge and rides all the way to the Russian guns. However, most of these acts of ‘bravery’ are performed only when he has absolutely no choice and to do anything else would result in his being exposed as a coward and losing his respected status in society, or being shot for desertion. When he can act like a coward with impunity, he invariably does.
Flashman surrenders to fear in front of witnesses only a few times, and is never caught out again. During the siege of Piper’s Fort, in the first novel, Flashman cowers weeping in his bed at the start of the final assault; the only witness to this dies before relief comes. He breaks down while accompanying Rajah Brooke during a battle with pirates, but the noise drowns out his blubbering, and he recovers enough to command a storming party of sailors (placing himself right in the middle of the party, to avoid stray bullets). After the Charge of the Light Brigade, he flees in panic from the fighting in the battery—but mistakenly charges into an entire Russian regiment, adding to his heroic image.
In spite of his numerous character flaws, Flashman is represented as being a perceptive observer of his times (“I saw further than most in some ways” In its obituary of George MacDonald Fraser, The Economist commented that realistic sharp-sightedness (“if not much else”) was an attribute Flashman shared with his creator.
Flashman, an insatiable lecher, has sex with many different women over the course of his fictional adventures. His size, good looks, winning manner, and especially his splendid cavalry-style whiskers win over women from low to high, and his dalliances include famous ladies along with numerous prostitutes. In Flashman and the Great Game, about halfway through his life, he counted up his sexual conquests while languishing in a dungeon at Gwalior, “not counting return engagements”, reaching a total of 478 up to that date (similar — albeit not equal — to the tally made by Mozart‘s Don Giovanni in the famous aria of Giovanni’s henchman, Leporello). Passages in Royal Flash, Flashman and the Mountain of Light, Flashman and the Dragon, Flashman and the Redskins, and Flashman and the Angel of the Lord suggest that Flashman was well endowed.
He was a vigorous and exciting (if sometimes selfish and rapacious) lover, and some of his partners became quite fond of him—though by his own admission, others tried to kill him afterwards. The most memorable of these was Cleonie, a prostitute Flashman sold into slavery in Flashman and the Redskins. He was not above forcing himself on a partner by blackmail (e.g., Pheobe Carpenter in Flashman and the Dragon), and at least twice raped women (Narreeman, an Afghan dancing girl in Flashman, and an unnamed harem girl in Flashman’s Lady).
Flashman’s stories are dominated by his numerous amorous encounters. Several of them are with prominent historical personages. These women are sometimes window dressing, sometimes pivotal characters in the unpredictable twists and turns of the books. Historical women Flashman bedded included: countless, too many to mention!
As well as bedding more or less any lass available, he married whenever it was politic to do so. During a posting to Scotland, he was forced to marry Elspeth to avoid “pistols for two with her fire-breathing uncle”. He is still married to her decades later when writing the memoirs, though that does not stop him pursuing others. Nor does it prevent marrying them when his safety seems to require it; he marries Duchess Irma in Royal Flash and in Flashman and the Redskins he marries Susie Willnick as they escape New Orleans, and Sonsee-Array a few months later.He was also once reminded of a woman that Elspeth claimed he flirted with named Kitty Stevens, though Flashman was unable to remember her.
He had a special penchant for royal ladies, and noted that his favourite amours (apart from his wife) were Lakshmibai, Ci Xi and Lola Montez: “a Queen, an Empress, and the foremost courtesan of her time: I dare say I’m just a snob.” He also noted that, while civilized women were more than ordinarily partial to him, his most ardent admirers were among the savage of the species: “Elspeth, of course, is Scottish.” And for all his raking, it was always Elspeth to whom he returned and who remained ultimately top of the list.
His lechery was so strong that it broke out even in the midst of rather hectic circumstances. While accompanying Thomas Henry Kavanagh on his daring escape from Lucknow, he paused for a quick rattle with a local prostitute, and during the battle of Patusan, he found himself galloping one of Sharif Sahib’s concubines without even realizing it but nonetheless continued to the climax of the battle and the tryst.
Flashman’s relations with the highest-ranking woman of his era, Queen Victoria, are warm but platonic. He first meets her in 1842 when he receives a medal for his gallantry in Afghanistan and reflects on what a honeymoon she and Prince Albert must have enjoyed. Subsequently, he and his wife received invitations to Balmoral Castle, to the delight of the snobbish Elspeth. For his services during the Indian Mutiny, Victoria not only approved awarding Flashy the Victoria Cross, but loaded the KCB on top of it.
